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Thursday, July 30, 2020 | History

8 edition of The Cambridge companion to Bach found in the catalog.

The Cambridge companion to Bach

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  • 30 Currently reading

Published by Cambridge University Press in New York .
Written in English

    Subjects:
  • Bach, Johann Sebastian, 1685-1750.

  • Edition Notes

    Includes bibliographical references (p. 294-305) and index.

    Statementedited by John Butt.
    ContributionsButt, John.
    Classifications
    LC ClassificationsML410.B13 C36 1997
    The Physical Object
    Paginationxv, 326 p. :
    Number of Pages326
    ID Numbers
    Open LibraryOL984807M
    ISBN 10052145350X, 0521459621
    LC Control Number96022581

    Bach's Dialogue with Modernity: Perspectives on the Passions (Cambridge University Press, ISBN ; the book examines Bach's St. Matthew Passion and St. John Passion in detail, situating them with respect to pre-modernity and modernity, and considering issues they raise with respect to artistic subjectivity, rhetoric and. The Cambridge Companion to the Piano is an informative and The Cambridge Companion to Bach Edited by John Butt 0 X (hardback) 0 8 (paperback) music profession in Britain since the eighteenth book The piano: a.

    epub | MB | English | John Butt | | Cambridge University Press | Page: Book Description: The Cambridge Companion to Bach, first published in , goes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. S. Bach the man and composer. The.   These musings are my way of welcoming this new Cambridge Companion. Setting aside many excellent specialist studies, for the general reader the most valuable writings on individual concertos are Tovey's Essays, cited above, and Michael Steinberg's similar but more comprehensive collection, The Concerto: A Listener's Guide (New York and Oxford.

    John Butt, Bach’s Dialogue with Modernity: Perspectives on the Passions (Cambridge: Cambridge University Press, ) A discussion by a prominent Bach scholar and conductor of how the two extant settings of the Passion story by Bach illustrate an interplay between traditional and modern mentalities and . In he was the editor of the Cambridge Companion to Bach, with chapters written by Malcolm Boyd, Ulrich Siegele, Robin A. Leaver, Stephen A. Crist, Werner Breig, Richard D. P. Jones, Laurence Dreyfus, Stephen Daw, George B. Stauffer and Martin Zenck.


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The Cambridge companion to Bach Download PDF EPUB FB2

The Cambridge Companion to Bach, first published ingoes beyond a basic life-and-works study to provide a late twentieth-century perspective on J.

Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the.

The Cambridge Companion to Bach, first published ingoes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the society, beliefs and the world-view of Bach's age.

The second part discusses the music and Bach's compositional style. The Cambridge Companion to Bach (Cambridge Companions to Music) 1st Edition by John Butt (Editor) out of 5 stars 5 ratings.

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The Cambridge Companion to Bach, first published inprovides a late twentieth-century perspective on J. Bach, the man and the composer. It examines the society, the beliefs and the world-view of his age as well as the compositional style, performance and reception of his work.

The Cambridge Companion to Bach goes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the society, beliefs and the world-view of Bach’s age.

Cambridge University Press X - The Cambridge Companion to the Concerto - Edited by Simon P. Keefe Frontmatter/Prelims.

The Cambridge Companion to the Concerto. No musical genre has had a more chequered critical history than the concerto and yet simultaneously retained as consistently prominent a place in the affections of the concert-going public.

This is the first book to offer a complete introduction to the recorder. Eight contributors from four different countries write on topics such as the recorder and its music through the centuries, the recorder as orchestral instrument, the professional recorder player through history and today, and the phenomenon of the recorder revival.

The Companion also contains basic reference material. The Cambridge Companion to the Violin Edited by Robin Stowell 0 8 (paperback) The Cambridge Companion to the Piano Edited by David Rowland 0 1 (paperback) 0 X (paperback) The Cambridge Companion to Bach Edited by John Butt 0 X (hardback) 0 8 (paperback) The Cambridge Companion to Berg Edited by.

The Cambridge Companions to Music form a book series published by Cambridge University book is a collection of essays on the topic commissioned by the publisher. Volumes (sortable table). About. Written by fourteen leading experts in the field, this Companion covers almost every aspect of the harpsichord - the history of the instrument, tuning systems, the role of the harpsichord in ensemble, its use in the twentieth and twenty-first centuries, and includes separate chapters devoted to Domenico Scarlatti, J.

Bach and Handel. The Cambridge Companions to Music book series by multiple authors includes books The Cambridge Companion to the Musical, The Cambridge Companion to the String Quartet, The Cambridge Companion to Beethoven, and several more.

See the complete Cambridge Companions to Music series book list in order, box sets or omnibus editions, and companion titles. "Death Everyday: the Anna Magdalena Bach Book of and the Art of Dying," in Eighteenth-Century Music (): "The Concerto in the Age of J.

Bach," Cambridge Companion to the Concerto, ed. Simon Keefe. Cambridge University Press, forthcoming The Cambridge Companion to Mozart The Cambridge Companion to Mozart paints a rounded yet focussed picture of one of the most revered artists of all time.

Bringing the most recent scholarship into the public arena, this volume bridges the gap between scholarly and popular images of the composer. Join us as Mark Kroll, internationally-known harpsichordist, noted scholar, and Emeritus Professor of Music at Boston University, tells us about a comprehensive new book on the harpsichord, the Cambridge Companion to the Harpsichord/5(12).

The Cambridge Companion to Bach, first published ingoes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. Bach the man and composer.

The book Author: Jim Samson. The Cambridge Companion to the Violin offers students, performers, and scholars a fascinating and composite survey of the history and repertory of the instrument from its origins to the present day.

The volume comprises fifteen essays, written by a team of specialists, and is intended to develop the violin's historical perspective in breadth /5(15).Book: Bach Interpretation: Articulation Marks in the Primary Sources of J.S.

Bach Book: The Cambridge Companion to Bach Discussions: Mass in B minor BWV - conducted by John Butt Discussions: Matthäus-Passion BWV - conducted by John Butt: Discography: Recordings of Organ Works.In he contributed a chapter to the “Cambridge Companion to the String Quartet”, and has also had articles published in The Guardian, Strad Magazine and other publications.

He feels very fortunate to play on a wonderful cello by J.B. Guadagnini which he jointly owns and shares with his friend, Steven Isserlis.